Experiencing the Divine Sounds of Jupiter 8

video upload by Andy Whitmore

00:00 Jupiter 8 Intro
00:22 Experiencing the Divine Sounds of Jupiter 8
06:55 Arpeggiator

"Hold onto your seats because this Jupiter 8 demonstration, in glorious stereo, will blow you away. Showing off the different abilities that has made it one of the most famous synths ever made!
We show off the Noise with Filter, Resonance & Modulation capabilities in great detail, with the left & right sides working independently.
The arpeggiator with its versatile patterns, being tweaked on the live panel.
A stunning showing of the power of the Jupiter 8 with low aggressive power chords filtered & modulated.

There were only a few synths - back in the 80s that mastered the polyphonic glide - here we hear the versatile polyphonic glide doing what it does best!
The 3rd part of this video covers Programming including tuning the oscillators, playing the Jupiter 8 as a lead synth in unison & pretty sounds to add colour to your track.
The final part shows you some of my best programmed sounds including brassy sawtooth pads, plucked stabs, flute layering, soft percussive sounds, interesting pads, 80s picking parts
resonance pads, lead sounds & sharp attacking aggressive cutting melodic lines.
So lets dive in!

The audio is DIRECT, 100% DRY, & IN STEREO - You are hearing the raw audio as it comes directly from the synthesizer. NO post processing (Effects, EQ, or Dynamics) whatsoever.

The original Roland Jupiter 8 from the early 80s - a very rare synth & arguably the most ultimate analog synth ever made!"

Sound design tutorial from the film Blade Runner 2049 using OB-6 and Moog Grandmother

video upload by EthanJamesMusic

"This is a sound design tutorial for how to approach a specific sound that was used in the film Blade Runner 2049 from 2017 with a score by Hans Zimmer. I was requested to show how I would make the lead sound that happens in the track 'Mesa'. The sound is a wet synth brass type of sound, with some wrinkles, where the pitch is a little further apart than you normal would do for an EDM track or the type of pop 1980s track, where this type of sound was used a lot.

The Sequential Circuits OB-6 can do a respectable job of coming close to the sound. I have no idea what was actually used for the film, but it sounds closer to a CS-80, which now costs over $100,000 used. For this reason, I'm teaching how to make the sound on both OB-6 and the Moog Grandmother.

Analog synthesizers have found a way back into film music, which has led to a lot of rich experimentation of what these instruments are capable of. I think my main takeaway from making this video, is that a lot can be achieved by moving the pitch of two oscillators far apart from each other to create a lot of disturbance in the melody. Also, having a really dry sound mixed in with lots of ambience really cuts through in a way that creates a strong effect.

I hope you learn something from this tutorial, and it gives you some ideas to try out! Please let me know if there are any questions, or if anyone knows what instrument was used on the film. I would guess a Minimoog or similar."

Analog Sounds from the Trigon 6 Synth: Preset Demo

video upload by Pure Ambient Drone

"No taking sound demo of the presets from the Sequential Trigon 6 synthesizer."

Moog One - Epic Split! who says it can't do plucks?!

video upload by Scott McAuley Sounds

"Patches will be available at https://www.orano.co.uk/shop or http://www.synthsounds.co.uk

I have read in so many forums regarding the Moog One's Lack of attack and punch in the envelopes, this split patch aptly called 'SM Epic Split' consists of sizzling bass on the left of the key bed and searing pluck on the right.

Anyone who wrongly believes the moog one to lack in punch especially for plucks , keys & leads can listen to this. it is just as snappy as any other synth I own.

Enjoy!

© Scott McAuley. All rights reserved."

Asking ChatGPT to come up with modular synth patches

video upload by Signal Sounds

"Video game sound designer and composer Michael Manning returns to the Signal Sounds channel to delve into the world of AI and modular synths. He feeds three prompts into ChatGPT - can it come up with modular patches that are actually any good?"

https://www.signalsounds.com/

You can find additional videos by Michael Manning here.

And his album here: https://sovnrecords.bandcamp.com/albu...

RYK Introduces ALGO - Complex Oscillator Eurorack Module

RYK ALGO Demo - eurorack Complex Oscillator module
video upload by RYK Modular

User videos below.

"All knobs and no menus, an FM synth engine with hands-on control

Introducing ALGO, from RYK Modular

ALGO's four oscillators can be configured in series or parallel combinations, to create Complex FM or additive sound textures.
A unique Algorithm Display indicates the signal flow from one oscillator to another - easy to understand FM with pretty twinkly lights !

CHAPTERS:

00:00 -- ALGO !

00:04 – The Algorithms of ALGO

00:11 – Drone with FM and Global Detune

00:36 – M185 Sequencing ALGO. Tweaking the Harmonic Frequency of the oscillators for various levels of wildness !

01:16 – Drone demo showcasing built in Chorus effect

01:30 – Alien Torture sounds ! Batumi modulating oscillator harmonics, and cross modulation amount

01:53 – Dual ALGO Dub action. RHS playing the chords with various tweaks to the amount of cross-mod and harmonics. LHS used for the bassline. Sequenced by split seq on M185, 3xFEG envelopes modulating the internal VCAs of the ALGOs

02:45 – String/Pad chord setup on ALGO. Batumi modulating Wave Warp. Gliss used for modulating cross modulation amount

03:17 – Dual ALGO Pam's sequence. Pam sequencing pitch and harmonic offsets on RHS ALGO, also slower melody notes from LHS ALGO. 3xFEG envelopes modulating the internal VCAs of the ALGOs

04:14 – Conclusion Drone !!"

"ALGO's four oscillators can be configured in series or parallel combinations, to create Complex FM or additive sound textures.

A unique Algorithm Display indicates the signal flow from one oscillator to another - easy to understand FM with pretty twinkly lights !

Each oscillator has controls for Level and Frequency, allowing easy adjustment of FM timbres, no menu diving snorkels needed.

Modulation inputs for Frequency or Level for each oscillator - patch in a couple of Envelopes, and you have an instant FM synth voice.

Bored of Sine waves ? A generous Wave Warp control bends things through Triangle to Pulse wave and back again.
Wave Warp can be applied to Carrier, Modulator or both types of oscillator.

For the more discerning mangler, Wave Folding is also available in three delicious flavours; Symmetric, Asymmetric and Soft Clip !

A Global Detune spread control with CV input is great for creating Netflix apocalypse drones that descend into the abys.

Lastly an onboard Stereo Chorus can add a vivacious 1980's shimmer to all your FM creations.

Oh, nearly forgot. It's Stereo !"

FM synths can be easy and fun: RYK ALGO Eurorack Module Demo

video upload by mylarmelodies

"This is a demo of the RYK ALGO: A 4-oscillator stereo FM eurorack synth module with waveshaping and wavefolding, stereo chorus, and with a bunch of algorithms to interconnect the VCOs with. FM & PANEL EXPLANATION: 1:55 / SOUND DEMOS: 14:06 Onwards."

CHAPTERS
00:00 A taste of what's to come
00:43 What is this?!
01:55 Algo (and FM) Explained
14:06 Jams: Fast Footwork
17:35 Aphex Bass
19:35 Plinktown
20:44 Low n Slow
23:49 Woof!
25:18 The Righteous Chord
29:13 Hellscape Acid

RYK Modular Algo improvised play with friends

video upload by Molten Music Technology

"My first play with the RYK Algo FM module. Using an 8-step loop from the Oct Tone, a bit of delay from the Milky Way, some reverb and cassette saturation from the Chroma Console. I then foolishly threw in a VCO from the Batumi II through the Sqwk Dirty filter and sequenced from the meloDICER, all of which I'm using for the first time. I'm not sure it gels all the time, but I was having a lovely time exploring."

Desire: Master Yamaha CS50 Sound FX Techniques

video upload by Andy Whitmore

"Yamaha CS50 Sounds FX including Modulation Resonance & Sound FX

The ultimate guide to the Yamaha CS50 - Famous Sounds, Programming
CS50 - Full Video Demo inc Programming & Factory Presets

Recorded at Greystoke Studio - Dry. Feb 2024

I have done some price comparisons for the following synths:-

Yamaha CS50 - Price new - 1977 - £2,119
£2,119 converts to £11,850 in 2024
Second Hand price paid January 2024 - £4,000

Yamaha CS80 - Price new - 1977 - £4,950
£4950 converts to £27,682 in 2024
Second Hand price paid Sept 2022 - £32,500

I think I got a bargain with the CS50!

The CS-50 was released just ahead of its famous big brothers, the CS-60 and CS-80. The CS-50 looks like a scaled-down version of the monstrous CS-80, and it is! This will benefit those who crave the famous classic Yamaha synth sound without the struggle of lugging around the 215 pound CS-80!

The CS-50 weighs in at about 100 pounds. The CS-50 is also just 4-voice polyphonic, and lacks the quality weighted 61-note keyboard of the CS-80. The CS-50 has just a 49-note standard keyboard. It does feature pressure (aftertouch) sensitivity route-able to several destinations, however.

The CS-50's sound is unmistakably related to other classic CS-series synthesizers. At just four voices with one osc. per voice and lacking warm filters (at just 12dB/oct) the CS-50's sound can be thin.

There are 13 preset sounds of various instruments and synth sounds but, unfortunately, no on-board memory storage for your edited presets. At its low street price, the CS-50 makes a great way to get your hands on these classic sounds without going broke! It's too bad their tuning is just as unstable as the other CS-series synths.

It's housed in a built-in travel-case like the other (big) CS-synths. It's been used by
Men Without Hats and Herbie Hancock."

Elektron Digitakt II: 3 New Features We're Loving - Comb Filter, Stretch Machine and Performance Kit

video upload by Group Technologies Australasia

"Elektron Digitakt II is here and its only been a hot minute since we received this powerful little groovebox sampler. Elektron have managed to pack a stack of great new features that we are making our way through and having too much fun with. In this video we go through 3 new features that have piqued our interest in the short time we've had it.

1. Comb Filter — Elektron have added more filters in the way of FLTR Machines, where one chooses the type of filter they want per track. There are 5 to choose from with the Comb filter sounding amazing and a first for an Elektron box. Comb filter can twist the timbre and transform any sound into something totally new, foreign, or alien like. Throw any sound through the Comb filter and you'll have fun seeing and hearing how far you can take it. Great for sound designers wanting metallic type sounds with rich resonant overtones.

FLTR Machines have 5 different filter types to choose from; Multi-Mode, where you can morph from Lowpass to Bandpass to Highpass filter. EQ, is a parametric equalizer for some precision filtering. Lowpass 4 is a 4-pole lowpass filter with a 24 dB slope for that extra bite. Legacy is the filter from the original Digitakt switchable between lowpass and highpass. The Comb filter has that metallic sound, pitch tuned and crazy resonant overtones as demonstrated in this video.

Similarly on other Elektron boxes, one chooses a 'machine' that relates to the type of synth engine you assign per track. Although here Elektron have adopted that method for different filters. This is a smart way to manage a number of new filters and parameters specific to those filters.

2. Stretch Machine — Elektron have added a new sample playback engine, Stretch machine that allows samples and loops to automatically stretch to the tempo of your pattern/project. It's a granular engine that works extremely well and a feature many Digitakt users have been craving!

3. Performance Kit Mode — here you can make changes to the parameters of a saved kit over several patterns and then smoothly recall the kit and continue jamming. Think of it as an 'undo' function for your sounds and kits. The Digitakt II can also save 1024 kits, so there plenty of flexibility to tweak your kits whilst performing and not be worried about losing the great kits you've created.

There's way more to explore on the new Digitakt II such as 3x LFOs, 128 steps per pattern, the assignable Control All Config, 4x Trig Modes, Euclidean Sequencer and much more. And did someone mention the audio fidelity, outstanding! We'll have more on the Digitakt II real soon.

For more on Elektron please visit: http://www.elektron.se

GT Lab is your new home for exploring music tech tips, tricks, and jams for electronic music creatives.

Follow us here for the latest from all our brands:
https://grouptechnologies.com.au/"

One Synth Challenge: A Full Trance Track using only Prophet Rev2 and MPC One.

video upload by Just Hardware Sound

"I challenged myself to create a full trance track using only one synth. Every sound you hear was created on the Sequential Prophet Rev2, except for the 909 drums. Some sounds are live from the Rev2, while other sounds are multisamples of the Rev2, sampled on the MPC One.

I'm currently working on a soundset for the Prophet Rev2, which will later be released at: justhardwaresound.com"

AVP Synth ADS-7 mkI

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

You can find demos in previous posts here.

"From AVP:

ADS-7 is an analog drum synthesizer inspired by the drum machines/synthesizers of the 70s-80s with a built-in 32-step sequencer and MIDI control.

It has 65 controls, 4 switches and 27 buttons with which you can have a wide control over the sound parameters, sequencer and MIDI. It has individual audio outputs and individual trigger inputs for each of the seven sounds.
Assembled in Moscow/Russia using discrete components and OTA chips.

Specifications

Fully analog, through-hole components;
7 individual sound channels: BD, Clap, OH/CH (choking on/off function), 3 separate Generators (GEN) with Band-pass and Low-pass filter options;
65 knobs/controls for different sound shaping options: from standard noise to metallic tones;
16/32 step analog sequencer;
Ability to clock external gear with the sequencer;
Up to 32 steps preset loading/saving slots;
MIDI In/MIDI Out;
3.5 mm individual triggers;
Stereo/individual 6.3 mm outputs for each sound plus 1 trigger out;
Steel casing;
Dimensions: L330xW250xH140 mm;
Weight: 3.5 kg (without power supply);
15 VAC 220v power supply (included)."

CLICK FOR MORE »

Dark jam with the Ableton Push 3 Standalone and Novation AFX Station

video upload by Jay Hosking

"A live synthesizer jam performed entirely on hardware.

This is the fourth track I've made specifically for the Push 3, and the first where I've used Ableton Live to make the entirety of the song. Some of Live 12's new features, like the generative sequencer tools, can be a fun way to get quickly inspired. I still miss many aspects of Reason when working in Live, but it's fun to change things up.

Kudos to the amazing Novation AFX Station. This synth has a fantastic panel, is a great size (not too big, not too small), two levels of drive/distortion, two filter options, great either clean or gritty, excellent resonance on the filter, etc. The more I use it, the more I love it. It's been around for 11 years, and there are more expensive mono synths, but I'd reach for this one before most for something dark and interesting.

I'm either 40 or 50 percent through this particular album/set and really happy with the music so far. The Push 3 really allows me to create songs in a way that no other setup has allowed. And while there are many features I wish it had (especially more on the side of performance), I'm finding myself happier and happier thinking of it as my live-set device. Can't wait to take these songs on the road.

Ableton Push 3 — most sounds, effects, and performance
Novation AFX Station — mono synth melody/lead thing

Performed and recorded live, with EQ, compression, and limiting on the master.

https://jayhosking.bandcamp.com"

Ambient music using a Kawai K5000R

video upload by Christian's Sonic Spaces

"This synthesizer is still so amazing whenever I use it! I bought it on sale and, along with my Ensoniq Fizmo, it was the first real synthesizer I ever owned. My only regret is that I don't use it much more often because this synth deserves it. Maybe I'm just worry that it might break at some point. It has been upgraded with a Nalbantov USB port so I can load and save sounds without needing floppy disks.

I used for the recording the following FX chain: Kawai K5000R - Pigtronix Echolution 2 Deluxe - GFI System Specular Reverb 2. Depending on the recorded track some FX are deactivated

The signal went through a Presonus StudioLive 16.0.2 into the PC via USB for recording. To create the complete song I recorded consecutively several stereo tracks. On some tracks Compressor and EQ where added in Cubase. The final song was then mastered using iZotope Ozone.

Well, I decided to go back to the basics, but at the same time make something useful for the synth community and do a kind of competition (I like competitions;-). What's my best synth for ambient music :-)"

Serge Modular Mantra II - Sound Impressions (Re-upload)

video upload by Serge Modular | Random*Source

"A couple of patches on a one-panel Serge Modular synth, MANTRA II, that now comprises the new 6th generation Serge modules GTS and GTO.

Re-uploaded version (we inadvertently had left some camera audio-snippets unmuted in the previous upload, sorry!)

Sounds
0:00 Intro Sequence
01:04 No Way Back
01:51 Meeting Mr. Lynch
02:27 Senseless Friction
03:13 It May Get Worse
03:34 Der gesunde Rausch
04:40 Computer Not OK
05:20 Lifeforms
06:25 Nouvelle Cuisine
07:34 Offshore
10:04 Voices from Somewhere
11:03 Seeking Truth
12:25 Sine FM
13:07 Embrace Chaos
14:12 Embrace Harder
14:52 Never Going Back
15:25 Stop Doing This
15:50 Over and Out"

Korg Delta DL-50 (Serviced) String Synthesizer SN 285947

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional SYNTH CITY Listings

"Fully functional Korg Delta, fun and easy to use synth that nails many classic sounds. Recently serviced and calibrated. The power transformer has been swapped from 100V (Japan) to a 120VAC unit for normal North America operation. Power supply fully recapped, noise free unit with lots of vibe! Works and sounds like it should. No issues.

Korg's Delta is an analog semi-poly synth/string machine, basically a slimmed down version of the Korg. Though limited in the range of sounds compared with other synths of the same genre, the sheer quality of the sound from this little beastie really does make it something of a marvel. Amazing retro synth strings and fat bass synth tones.

The synth is split into two sections, Strings and Synth, for which there are separate audio outputs along with a combined output for headphones or mixing. Each section has its own controls. The String section has two pitch sliders (16' and 8') along with two tone controls (Bass and Treble) and variable Attack and Release controls to modify the sound. The Synth section has four pitch sliders (16', 8', 4' and 2'). There is also a white noise generator along with a very effective 24dB/oct low pass filter (high pass and band pass options are included too) and full ADSR controls. The synth has no memory storage or MIDI, however it does has voltage control and gate ins and outs.

The string sounds are very basic but with its separate outputs and when mixed together with the polysynth you do get that classic 'layered' sound which is useful enough on this synth; and it's fully polyphonic, so you wont be running out of notes! There is a handy joystick to the left of the 49-note keyboard for pitch bending and modulation capabilities. The construction is solid and heavy partly due to the implementation of a wooden base but also because it was designed for heavy usage on the road. Added bonuses: noise modulation, stereo out (strings/synth split), and the ability to combine synth and strings or turn off oscillators in the mixer section."

CLICK FOR MORE »

Drama and Fear: Prophet 5 Synthesizer Sounds

video upload by Andy Whitmore

"Analog Synthesizers Rewind: Top 10 Classics!
S1:Ep8 - The eighth in a series of 11 videos!

Creating Mind-Blowing Sounds with Prophet 5's Poly Mod Section, Wind & FX

"Unveiling the Sonic Depths of Prophet 5 Synth: From Enchanting Winds to Dark Mysteries and Funky Leads!"

Dive into the mesmerizing world of the Prophet 5 Synth with our demo video!
🎹 Explore a sonic journey featuring ethereal wind sounds, low drones, percussive beats, use of the “poly mod” section, dark mysterious pads, filter explorations, and more.
We've even thrown in some iconic presets, showcasing the synth's versatility with tweaking options.
Don't miss the atmospheric sounds from 'She's Strange' - Cameo and groove to the funky lead sound inspired by 'You're the One for Me' by D Train.
Whether it's glistening tones, brass swells, or sweet organ vibes, the Prophet 5 delivers an extraordinary range of sounds.
🌌✨ Press play and let the synth enchant your ears!"

Drama and Fear: Prophet 5 Synthesizer Sounds

00:00 Prophet 5 Intro
00:24 Drama and Fear: Prophet 5 Synthesizer Sounds"

Serge Modular Mantra II

video upload by Serge Modular | Random*Source

"A couple of patches on a one-panel Serge Modular synth, MANTRA II, that now comprises the new 6th generation Serge modules GTS and GTO."

Sounds
0:00 Intro Sequence
01:04 No Way Back
01:51 Meeting Mr. Lynch
02:27 Senseless Friction
03:20 It May Get Worse
03:42 Der gesunde Rausch
04:50 Computer Not OK
05:30 Lifeforms
06:35 Nouvelle Cuisine
07:44 Offshore
10:14 Voices from Somewhere
11:11 Seeking Truth
12:39 Sine FM
13:20 Embrace Chaos
14:26 Embrace Harder
15:05 Never Going Back
15:38 Stop Doing This
16:04 Over and Out

I Saw Tooth

video upload by Kaffimusic

"This is a video I have made for a live music video 'challenge' at the German synth forum sequencer.de. I won with that. But there was nothing to win but experience and honor.
The center of this setup is the MPC One. It plays just midi pattern that I composed beforehand for the GS Music E7, the small Roland and the Novation Peak. The Kurzweil is not controlled, but the E7 runs through the audio ins and is used as a FX processor with delay and reverb for the E7. The PC4 is just played with internal sounds here. Switches and sliders are either set to control internals, the E7 or the fx. I progammed a multi that is able to play the sounds via switch and control the fx as well.
The last pattern is a respectfully stolen melody of Ehsan Gelsi. The whole style of this live sequencing is the technique he shows in his videos."

Yamaha CS-60 Polyphonic Synthesizer SN 1578

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

Additional SYNTH CITY Listings

Classic powerhouse of a poly-synth! The Yamaha CS60 shares the same architecture of the CS80 (including memory) which is why it's a fantastic synth to dial-in that big boy CS80 sound without the heavy price tag. Sorry, no legs are included.

Recently overhauled by our in house technician.

Service notes:

-Replaced all electrolytic capacitors within internal power supply
-Replaced other electrolytic capacitors associated with power supply rail
-Replaced all "lilac" capacitors
-Cleaned all controls, exterior panel, knobs and inside of chassis
-Cleaned keybed and entire assembly
-Replaced shorted diode on preset card
-Replaced bulb used in touch response sensor
-Calibrated power supply, key CV generators and key CV sample and hold
-Tuned all voices

More info on the CS60:

Featuring two oscillators, two envelopes, and two low-frequency oscillators. It also has a built-in chorus effect and a built-in arpeggiator. The CS-60 is capable of producing a wide range of sounds, from warm and mellow to bright and aggressive.

The CS60 is a 8 note polyphonic synthesizer w/ velocity, aftertouch and a ribbon
controller which offers the player a really organic feel into the performance of the instrument. Other key real-time control facilities, such as the LFO/ring-modulator section really make the CS60 a great players instrument – it’s all about the performance with the big CS polys.

The resonant qualities of the Yamaha CS series filter are unmatched by any other poly-synth so they sound unique.

CLICK FOR MORE »

Korg 770 Analog Synthesizer

Note: Auction links are affiliate links for which the site may be compensated.

via this listing

"Here's your chance to own this rare historic synth. All knobs, keys, pots and wood-housing is original. Everything has been cleaned and everything is functioning. This thing produces beautifully warm bass and lead sounds. And the ring modulator will take you into some wild sci-fi territories too. Only major blemish is a chipped key (see last photo) key still is fully functional.

The Korg 770 is a monophonic analog synthesizer introduced by Korg in 1976. Based on the same circuitry as the two-VCO version of the Mini-Korg, the 770 offered a more conventional re-packaging, and some control improvements to make the synth more versatile.

VCO 1 offered five choices of waveform, with triangle, sawtooth, square, pulse, and a pulse-width-modulated (rate controlled by an LFO) pulse wave on tap, or an external input could be selected. The VCO included an octave select switch with six settings, including a 64' deep bass setting. VCO 2 produced only a sawtooth wave, or it could be ring modulated against VCO 2, or any of three varieties of noise could be selected. The tuning could be offset from VCO 1. A blend control allowed the user to select the mix of the two signal sources. Other controls at the right side of the panel allowed the user to apply an "auto bend", or vibrato controlled by a dedicated LFO separate from the main LFO. (There were no pitch or mod wheels.)

CLICK FOR MORE »

Testing Nakst Integrate - Classic Hardstyle Lead

video upload by Eyezer Productionz | Synths & Audio

Note Nakst was first introduced a year go.

"Introduction (from the manual):

As technology has improved, it has become possible for manufacturers to produce increasingly complex synthesizers. This has led to the creation of synths that trade off easeof-use for maximum sound design potential, spreading hundreds upon hundreds of options and parameters throughout dizzying interfaces, full of tabs and menus. They provide oscillators and filters with such immense algorithmic precision that any soul or character is stripped away before it has a chance to flourish in the sound. Integrate is not like that.

Integrate has been designed with the goal of creating an old-school virtual analog that has just as much personality as any of the classics, paired with a fantastic user interface that makes exploring the sonic possibilities an effortless pleasure. It cannot do everything, but this is intentional; limitations breed creativity. No longer will you spend hours scrolling through lists of wavetables, paralyzed by the impossible task of deciding which is the best to use – a question that has no right answer. Instead, Integrate has a simple two-page layout where every parameter has been selected for its unique axis of inspiration. Every dial, slider and button is waiting to delight you as you delve into a world of aural possibilities.

Many thanks to fdigl for providing me a NFR license for this plugin! Next video will feature some custom patches made by me.

https://nakst.gitlab.io/integrate/"


video upload by nakst

Integrate — Factory ROM Demo (unscripted, no talking)

video upload by nakst

Timestamps:
00:00 — Arps
01:17 — Basses
04:00 — Drums
04:30 — Effects
05:16 — Keys
06:40 — Leads
14:42 — Organs
15:15 — Pads
18:32 — Plucks
19:34 — Synths
23:08 — Trancegates

"The old-school virtual analog synthesizer: reimagined and perfected, optimized for creativity. Integrate follows in the footsteps of the virtual analog classics we still love today, bringing together a straightforward user interface with an intricate and colorful sound engine."

"The old-school virtual analog synthesizer: reimagined and perfected.

A synthesizer optimized for creativity.

Integrate follows in the footsteps of the virtual analog classics we still love today, bringing together a straightforward user interface with an intricate and colorful sound engine.

Four mighty oscillators.
The four main oscillators come equipped with a selection of 74 waveforms and a flexible noise generator.
The traditional waveforms (sine, sawtooth, square and triangle) all have a specially chosen parameter that can be modulated, allowing you to creating evolving sounds. The noise generator has tweakable color, and it also supports key tracking for an effect reminiscent of early game consoles.
Also featuring FM, RM and hard sync, there's a world of possibilities waiting to be unlocked in these oscillators.
There's also a sub oscillator sporting three waveforms, ready to quickly beef up your patch.

Have it your way.
Integrate lets you configure the character of the oscillators, giving you the power to shape the sound of your patches from the very start of the signal path.

Pick between the “Clean” rendering mode for a modern touch, or the “Digital” mode to add a gritty punch to your sound.

Make anything super.
Oscillators A and B both sport a unison section, letting you turn a simple waveform into a 7 voice beast. Configure the detune and mix, or enable “Stereo” to spread the voices across the channels. You'll soon discover how much of a monster Integrate is at fat, anthemic sounds, perfect for mesmerizing listeners of any genre.

The latest technology.
Integrate is available in the new CLAP plugin format, boasting advanced features like non-destructive polyphonic parameter modulation and note stacking. We're proud to join its community of developers who are pioneering the latest in audio technology.

Information, only when you need it.
To keep the interface compact and free from distractions, Integrate keeps extra information about parameters neatly tucked away in popups that only show when you're interacting with the relevant controls.

Waveforms, envelopes, frequency spectrums all pop up as soon as you need them, and then instantly hide away once you're done with them.

Explore new territory.
Integrate isn't an emulation of an existing synth. Instead, it's a brand new design, waiting for you to explore what it's capable of. Dive into a world of characterful oscillators, screaming filters, chaotic LFOs, and dreamy reverbs. There's bound to be something that'll captivate your imagination.